Post Production
Apple QuickTime on Windows Update. Native ProRes Support Coming
If you are a Windows based editor using Premiere Pro you probably already know the news that Apple will no longer be advancing or supporting Quicktime on windows machines. This has caused a lot of confusion to many including me. I edit on a Mac so it doesn’t affect me yet. A PC system is […]
NAB VIDEO: SmallHD goes BIG HD with Three New Heavy Duty Production Monitors.
Checkout the demo from NAB that I did with Facebook Live and please visit my PAGE HERE It was only a matter of time that SmallHD would go BIG HD and at NAB they should off three new Production monitors that are built like a tank and ready for field use with several key features making […]
Aputure EZ Box, Veydra Mini Primes and FCPX. A Crazy Review of them ALL!
This is going to be an odd review. I decided to not only do a review of the new Aputure EZ Box but give you some first impressions of the Veydra Mini Primes and editing my first review with FCPX. Veydra Mini Primes in E-Mount I just received a set of Veydra Mini Primes […]
Rampant Design Black Friday Sale – Huge Bundle Deals Up to 80% OFF
Rampant Design makes the easiest and coolest graphic matte effects that don’t require any plugins at all. Just add them to a video track and tweak them to look the way you want. Super easy to use. Now you can save 60% off your order and more 80% off bundles. Head over to Rampant Design and […]
DaVinci Resolve 12.1 Update Now Available For Download
An update for DaVinci Resolve 12 is now available. Fixes a few things and also adds some new features. Full update info is below. Looks like it now supports OS X 10.11 El Capitan too. I’m impressed with how on top Blackmagic Design is on updating the software and fixing issues. I’m getting comfortable using it […]
Sony XAVC S Round Trip Issue Workaround with Premiere Pro CC to DaVinci Resolve
I’m getting comfortable using DaVinci Resolve 12 for the most part. Color Grading is just the best and the editing portion is pretty good too but I still have to use Premiere Pro CC 2015. I’ve been using the new Sony A7s II and a7r II lately I wanted to test how well XML round […]
You Don’t Have to Shoot Log all the Time. Right?
Lately I’ve been asking myself why do I always shoot in log mode? Yes more dynamic range is nice but in low contrast situations is it really necessary? So I decided to go for a more baked in look with the original Sony a7s for situations that don’t need to be so flat and makes post […]
FilmConvert Release GH4 V-LogL Profile. How Well Does it Work?
Panasonic didn’t release a LUT for the GH4 and V-LOGL. Unfortunately they recommend using the VariCam version and I found it to be less than perfect. Now on the other hand if you have FilmConvert you need to download the I was waiting for this and if you have a GH4 with V-LOGL you want […]
First Promo Shoot with GH4 V Log L in 10bit ProRes. Is V LOG L Worth $99?
I decided to go ahead and shoot a promo with the new V Log L but not with the internal codec. Instead I wanted to get 10bit out to the Odyssey 7Q+ since the GH4 is capable of outputting 10bit I might as well take advantage of it especially when you have a LOG gamma […]
My First Review Edited all with DaVinci Resolve 12. Will Resolve be my go to NLE now?
I have been editing with Premiere Pro now since 5.5 and it’s been a pretty good experience for the most part. I was ready to leave Final Cut Pro 7. Rendering everything all the time and transcoding constantly along with pretty slow playback made moving a must. It served well but stopped developing and I […]
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